The Ramayana of Valmiki and Sita Sings the Blues The epic story of Rama and Sita, as portrayed by Valmiki’s Ramayana and the modern day film Sita sings the Blues are two different versions of the same story which contain several contrasts as well as similarities. The Ramayana is the ancient version which was written by a sage named Valmiki in 550 B.C.E, featuring a love story between an.
Sita demonstrates this in the myth when she leaves everything to be with Rama when he is banished. As for Rama he is the embodiment of dharma for he follows the codes that hold mankind together and no matter what will not omit his faith even for love. Rama and Sita are two of Hinduism most scared beings and their image are being defaced by this film. The film does not compare to Valmiki’s.
Sita Sings the Blues is a 2008 American animated musical romantic comedy-drama film written, directed, produced and animated by American artist Nina Paley.It intersperses events from the Ramayana, light-hearted but knowledgeable discussion of historical background by a trio of Indian shadow puppets, musical interludes voiced with tracks by Annette Hanshaw and scenes from the artist's own life.A still from Sita Sings The Blues. Now we all know that the Ramayana is no feminist masterpiece. Sita follows her husband Rama to the forest, and then remains devoted to him despite the horrible way he treats her, volunteering for an agni pariksha (trial-by-fire) to prove her purity when he questions her faithfulness to him. (She does kind of kick ass as a single mom in the forest though, when.For this essay I started off with a simple critique of Sita Sings the Blues which is an animated film that I have seen many times. I thought that I was going to just analyze the ways the different methods of animation allowed for three stories to be told at the same time and still make sense. This was also going to tie into the fact that this film which involves many different cultures and.
It was the first time that I heard and watched this movie---Sita sings the Blues. This animated movie won the best-animated feature on the Annecy International animation festival, and it also got the award nomination of the independent spirit of the 24th American independent filmfest. There is no doubt that this film is a wonderful film otherwise it cannot win and get these honors and awards.
Sita Sings the Blues is a very independent animated film that portrays a portion of the Hindu epic the Ramayana. It was created by Nina Paley, and the film is, remarkably, almost a solo effort. The whole film is split into four different segments that are interwoven around one another. One of the main stories is set in modern times and depicts.
A: Sita Sings the Blues is a musical, animated personal interpretation of the Indian epic the Ramayana. The aspect of the story that I focus on is the relationship between Sita and Rama, who are gods incarnated as human beings, and even they can't make their marriage work.
The so-called spectacular success of “Sita sings the blues”(2), by Nina Paley, an American non-Hindu woman, raises questions as superior indigenous-made animation films based on the Ramayana, like Hanuman(3), have not received even a passing mention in the Western press. It is however, true that the free dissemination of the movie has given it wider publicity. Nina Paley was never.
A short argumentative essay for Sita Sings The Blues: that is, one in which you have a point you intend to prove or show through the use of argument and evidenc.
That is the point of Sita Sings the Blues: we all struggle with this story, which connects humans through time, space and culture, whether we're aware of it or not. Just as the Ramayana has mostly been written down and controlled by men, the songs in Sita Sings the Blues were mostly written by men; but sung by a woman - Hanshaw - they pack an emotional wallop and express a woman's voice.
Both of the two written (ancient) and visual (modern) texts that is The Ramayana of Valmiki and view Sita Sings the Blues compare and contrast in very many ways. They are similar in some aspects and different in other aspects. In this paper I will look at the aspects in which they compare and contrast. There is the theme of egocentricism that is exemplified in both of the two written (ancient.
Sita Sings The Blues is remarkably imaginative in its look and structure, though it’s hardly flawless. Paley relies a lot on looped movements and repetition to extend scenes, and her sense of humor tends toward the cute and corny. But the parallels between her own story and Sita’s are undeniably poignant, and Paley’s use of music is sublime. When the story of her marriage reaches the.
Lady sings the Blues: When Women retell the Ramayana Nabaneeta Dev Sen. Epic poets the world over are men singing the glory of other men, armed men, to be precise. In a study I did a couple of years ago, I noticed that out of the thirty-eight basic things upon which most epic narratives of the world are based, only nine are associated with women. The ideals of the epic world obviously do not.
It’s hard to imagine how Ms. Paley, 40, could have farmed out the writing, directing, editing, producing and animating of “Sita Sings the Blues.” As engaging as the film is, explaining it is tricky: along with traditional 2-D animation there are cutouts, collages, photographs and scenes with hand-painted watercolors as the backdrop. At certain points Ms. Paley mixes laughs with.
Ritual in Sita Sings the Blues, Part 1 I want to discuss ritual patterns in Nina Paley’s Sita Sings the Blues. Specifically, I want to look at the beginning and ending of the film, the beginning and ending of the Agni Pariksha sequence, and the parallel progression of Sita and Nina through the film. But first I need to define what I mean by ritual pattern. Then we can return to the movies.